Clear Skies
Format: Wall-Based Ceramic Sculptures | Portfolio Category: Material Geometry & Deconstructive Praxis, New York, 2022
Keywords: Deconstruction, Reconstruction, Formal Unity, Morphological Inquiry
Abstract: This research project investigates the formal transition from entropic, chaotic compositions to unified structural systems. Through ceramic wall sculptures, the work operates as a "material meditation" on the principles of deconstruction and reconstruction. The methodology involves the fragmentation of geometric planes, which are then re-assembled into a state of "Clear Skies", a metaphor for the cognitive clarity achieved through systematic formal resolution. This project contributes to contemporary design research by questioning the limits of structural stability within fragmented ceramic bodies. It explores how the physical act of glaze fusing different parts serves as a proxy for the psychological process of reconciling disparate cultural or conceptual inputs. The output demonstrates a mastery of spatial composition and material tension, positioning the ceramic sculpture as a record of a resolved morphological struggle.





